Born in Madrid, Spain, where he studied dance and theatre. In 1986 moved to Brussels to collaborate with Wim Vandekeybus as a choreography assistant, trainer and performer for the very first Ultima Vez productions “What The Body Does Not Remember”(1987), “Les Porteuses de Mauvaises Nouvelles”(1989), “The Weight of a Hand”(1990), “Blush”(2002) and “Sonnic Boom”(2003) and the film “Roseland”(1991). During the nineties, he worked with Rosas – Anne Teresa De Keersmaeker in “Erts”and“Mozart -Concertaria’s: Un Moto di Gioia”. And also with Needcompany – Jan Lauwers – Grace Ellen Barkey in “Rood-Red-Rouge”,“Morning Song”, “The Miraculous Mandarin”, “Caligula”and “King Lear”. Has restaged and directed the Ultima Vez remakes of “What The Body Does Not Remember”(1995, 2002 and 2013) and “Les Porteuses de Mauvaises Nouvelles”(2004). He is given Ultima Vez repertoire workshops in Leuven, Volgograd, Brussels, Madrid, Amsterdam, Seville, Rotterdam, Lisbon, Tokyo, Sao Paulo, Seoul, etc…

Was born in Albania. He studied, at the National State School of Greece. He graduated in 2010 as a dancer and dance teacher. He has been working ever since. His career involves touring and performing in big international dance festivals around the globe
.
Like in the following countrie:Italy (Sicilia, Sardegna, Bologna), Israel, Palestine, Jordan, Ireland, West Africa, Senegal, Poland, France, Spain, Greece, Germany, Montreal and London
He worked with:Akram Khan dance company (London), Hellenic Dance Company (Greece), Compagnie Linga Lausanne (Switzerland), Step text dance project (Germany) ,Collaboration Montreal dance company (Canada)

Choreographer, dancer and Feldenkrais teacher, Teri Weikel began her career working as a choreographer and dancer at the “Donald Byrd and the Group” Company, the “Gus Solomons Dance Co.”, Karol Armitage, the “Cal-Arts Dance Ensemble”, the “Dance/L.A.”, the “San Diego Dance Theatre”. From 1986 to 2006, she was the artistic director of TIR Danza in Modena. She has curated the choreographies for several performances and participated to the most important Festivals.

Maria Martinez is a certified Somatic Movement Educator at the School for Body-Mind Centering, graduated in dance and creative composition at the SNDO, School for New Dance Development, in Amsterdam. She holds a Yoga teacher certificate at the Sadhana School (Spain).

Mikel Aristegui Tello, graduated in contemporary dance at the Folkwangschule in Essen, Germany. He has danced in the dance company “Sasha Waltz”, in Berlin and “DV8”, in London. He has curated several productions with the TLF Danza and Earth Dance Cooperation. He has taught dancers, children, actors, architecture students and people with Down’s syndrome in Italy, Chile, Switzerland, Belgium, France and Germany.

Brigel Gjoka is an versatile Artist and actual dancer of The Forsythe Company based in Germany. Following the training and early performance career in Albania and France. He danced with contemporary companies in Bologna, Strasbourg, and Mainz before joining the Netherlands Dance Theatre. Since 2011, he is a member of The Forsythe Company, where he have collaborated in new creations, as well as danced a wide range of William Forsythe’s repertory. Since 2008, he has been developing he’s own work, for which frequently composed he’s own music and executed visual designs. He’s work has been shown in France, Germany, Albanian, Malaysia, Pakistan, under the auspices of the Goethe Institute, and in Italy, where he received Giornale della Danza’s Award for Best Upcoming Choreographer this year after he’s creation SwTH with Maggio Danza.

Valeria Alonso was born in Buenos Aires, in 2000 she founded her own company, “La Cabra”, thus beginning a research directed towards theater, video and movement.In 2006, with her dance video “Osario” she won the first prize of the XX Madrid’s annual choreography competition. In 2003, with “Mamó” she won the first prize of the Paris Young Talents annual Competition organized by the French Government. She realized the piece “Boyfriend”, presented in several Spanish theaters between 2007 and 2009. As a performer, she worked with the De La Guarda Company, playing in its shows “Doma” and “Villa Villa” in the Dary Roth Theater in New York (1998), in The Roundhouse in London (2999) and in the C. C. Recoleta in Buenos Aires (2001). She worked with the Catalan group La Fura dels Baus (march 1999) in the show “Pepsimania” in Buenos Aires, and, in 2007, in “Imperium”, presented in China and in European tour.

Lo scopo del corso di Liht Design è di fornire una base teorico – pratica di illuminotecnica teatrale fondamentale per chi professionalmente decide d’ intraprendere un percorso teatrale. A partire dalla conoscenza base delle diverse teorie di illuminazione teatrale fino ad arrivare allo studio dei corpi illumimanti con le loro caratteristiche; analizzeremo le differenti funzioni che svolgono all’interno di un disegno luci. Per ottenere in fine una propria autonomia nell’ elaborare un elementare piano luci e in situazioni di produzioni più complesse di potersi interfacciare in modo più concreto con light designers e tecnici luci nella realizzazione di un progetto.

Musicista e didatta, integra una varietà di influenze e approcci combinati con sensibilità e scelte del tutto personali. Ha sviluppato il proprio percorso nella musica contemporanea e di ricerca partecipando a percorsi formativi e masterclass volti all’approfondimento di differenti approcci (sotto la guida, tra gli altri, di Muhall Richard Abrahms, Barre Phillips, Roscoe Mitchell, Anthony Braxton). E’ insegnante di pianoforte della Scuola popolare di musica “Ivan Illich” di Bologna, dove conduce laboratori dedicati all’improvvisazione e alla musica di insieme. Ha suonato in Italia, Germania, Inghilterra, Russia, Ungheria, Serbia, Francia e Belgio esibendosi con musicisti come John Russell, Barre Phillips, Lol Coxhill, Tristan Honsinger, Szilard Mezei, Hannah Marshall, Roger Turner, Harri Sjoestroem, Phil Minton.